La exposición de artes plásticas en la galería Fausto, de la Unión de Escritores y Artistas de Cuba (UNEAC) de Holguín, dio inicio a la Jornada de Arte Erótico, otra opción cultural en la etapa veraniega.
Abierta hasta el próximo día 16, la muestra reúne creaciones de artistas como Lauro Hechavarría, Jorge Hidalgo, Salvador Pavón, Ángel Quintana, Javier Díaz, Leticia Levya, Dagoberto Driggs y Nelson Mulet.
El escritor Eugenio Marrón señaló en las palabras de apertura que las obras nos permiten una visión de conjunto donde los cuerpos se rebelan a la superficialidad y se ahonda en el alma de los hombres, lo cual posibilita un mayor conocimiento de la raza humana. También subrayó que entre las técnicas empleadas se destacan la mixta sobre lienzo o cartulina y el acrílico; 
aunque también se utiliza la instalación y el arte digital, que brindan una mayor variedad a la exposición.
La especialista Isbel Hernández, licenciada en arte, explicó que el erotismo en la plástica, más allá de establecer géneros o constituir tendencias, es una herramienta que seduce y atrapa, además de estar regida por condiciones sociales específicas y patrones culturales determinados.
La Jornada de Arte Erótico es un evento que anualmente organiza la filial de la UNEAC de la provincia holguinera, con paneles literarios, muestras audiovisuales y conferencias donde los especialistas intercambian con el público.
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EL EROTISMO EN LA PREHISTORIA
EROTIC ART - PREHISTORY
As we can see through different images, they had sexual intercourse with animals, homosexual relations and more than two people at the same time.
http://www.arterupestre-c.com/1000.htm
Venus - Venuses http://www.arterupestre-c.com/1000ven.htm
There is o ne sculpture that is emblematic, found in 1908, after lots of research and different epochs being affirmed as the real o nes about this sculpture, now they believe it was done around 24,000-22,000 BC.
It shows a woman with a large stomach that overhangs but does not hide her pubic area. A roll of fat extends around her middle, joining with large but rather flat buttocks, there's no face and seems that at this place there is a hat or even hair rolled up o n the head.
Her genital area would appear to have been deliberately emphasized with the labia of the vulva carefully detailed and made clearly visible, perhaps unnaturally so, and as if she had no pubic hair. This, combined with her large breasts and the roundness of her stomach, suggests that the "subject" of the sculpture is female procreativity and nurture and the piece has long been identified as some sort of fertility idol.
The fact that numerous examples like that of a female figure. All generally exhibiting the same essential characteristics - large stomachs and breasts, featureless faces, minuscule or missing feet - have been found over a broad geographical area ranging from France to Siberia. That suggests that some system of shared understanding and perception of a particular type of woman existed during the Paleolithic.
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